{"id":8295,"date":"2021-12-12T22:00:12","date_gmt":"2021-12-12T20:00:12","guid":{"rendered":"https:\/\/www.brassacademy.com\/?page_id=8295"},"modified":"2026-01-02T00:05:36","modified_gmt":"2026-01-01T22:05:36","slug":"antonio-vera","status":"publish","type":"page","link":"https:\/\/www.brassacademy.com\/en\/profesores\/trompeta\/antonio-vera\/","title":{"rendered":"ANTONIO VERA – Trumpet"},"content":{"rendered":"

 <\/p>\n

\"\" Antonio Jos\u00e9 Vera Escribano<\/strong><\/p>\n

Born in M\u00e1laga (1986)<\/strong>, Antonio began his musical studies at the early age of 6 in the Municipal Band of his hometown, Antequera, under the guidance of Professor Juan Medina Maza, from whom he acquired his first knowledge of the trumpet. He later pursued his studies at the “Manuel Carra” Professional Conservatory of Music and the M\u00e1laga Higher Education Conservatory of Music under the tutelage of professors Jos\u00e9 Antonio Arag\u00f3n and Antonio Portillo, obtaining top honors and the highest grades. He subsequently completed a Postgraduate University Expert degree in Instrumental Performance, specializing in trumpet, awarded by the International University of Andalusia (UNIA), under the guidance of professors Reinhold Friedrich, William Forman, Lu\u00eds Gonz\u00e1lez, Gabrielle Cassone, and Kristian Steenstrup.<\/p>\n

From the age of twelve, and to further his studies, he took lessons from Benjam\u00edn Moreno (OSRTVE). For five years, he studied at the Barenboim-Said Orchestral Studies Academy, receiving lessons from Rainer Auerbach (Staatskapelle Berlin).
\nSince 2012, he has studied at the Brass Academy Alicante, following the guidance of his mentor Rudolf Korp (Tonk\u00fcnstlerorchester and Vienna Brass), refining his technique and expanding his knowledge, particularly in the orchestral field.<\/strong><\/p>\n

He has attended masterclasses and received private instruction from prestigious professors such as G\u00e1bor Tark\u00f6vi, Martin Angerer, Reinhold Friedrich, Hakan Hardenberger, Esteban Batall\u00e1n, Thomas Clamor, Mart\u00edn Baeza, David Bilger, Laura Vukovratovich, Michael Sachs, Eric Aubier, Lu\u00eds Gonz\u00e1lez, William Forman, Gabrielle Cassone, \u00c1ngel San Bartolom\u00e9, Juan Antonio Soriano Ant\u00f3n, Tam\u00e1s D\u00e1vida, Jorge Giner, Alejandro G\u00f3mez, Antonio Mart\u00ed, Spanish Brass, John Aigi, Jos\u00e9 M. San Bartolom\u00e9, among others. In the field of jazz, he has received lessons from Juli\u00e1n S\u00e1nchez Carballo.<\/p>\n

Antonio has been a member of prestigious youth orchestras such as the National Youth Orchestra of Spain (JONDE), Ibero-American Youth Orchestra (Sim\u00f3n-Bol\u00edvar + JONDE), Andalusian Youth Orchestra (OJA), Orchestra of the \u201cReina Sof\u00eda\u201d School of Music in Madrid, the Barenboim-Said Academy Orchestra, and the International Youth Orchestra (IYO), among others.<\/p>\n

In his professional career, he has collaborated with and continues to collaborate with orchestras such as: Bergen Philharmonic Orchestra, Oslo Philharmonic Orchestra, Norwegian Radio Orchestra (KORK), Kristiansand Symphony Orchestra (KSO), Spanish Radio and Television Symphony Orchestra (ORTVE), Gran Canaria Philharmonic Orchestra (OFGC), Royal Seville Symphony Orchestra (ROSS), C\u00f3rdoba Symphony Orchestra, Granada City Orchestra (OCG), M\u00e1laga Philharmonic Orchestra (OFM), Provincial Symphony Orchestra of M\u00e1laga (OSPM), University Chamber Orchestra of M\u00e1laga (OCUMA), European Mediterranean Symphony Orchestra, Moldovan Symphony Orchestra, and the Andalusian Classical Orchestra…<\/p>\n

He has participated in numerous recordings for record labels such as Decca, Naxos, and Lawo, as well as for Spanish and Norwegian radio and television.<\/p>\n

He has worked under the baton of renowned conductors such as Gustavo Dudamel, Daniel Barenboim, Jukka-Pekka Saraste, Edward Gardner, Klaus M\u00e4kel\u00e4, Petr Popelka, Bruno Aprea, Lutz K\u00f6hler, Karl-Heinz Steffens, Pablo Gonz\u00e1lez, E. Garc\u00eda Asensio…<\/p>\n

In the field of jazz, Antonio has been part of ensembles such as the Big Boss Big Band (Oslo) and the Granada Big Band. He has performed with musicians like Perico Sambeat, Vicente Amigo, Juli\u00e1n S\u00e1nchez, David Pastor, Voro Garc\u00eda, Ernesto Aurignac, and Tony Belenguer, among others. In the realm of popular music, he has performed alongside artists such as Ricky Martin, Joan Manuel Serrat, Miguel R\u00edos, Carlos Vives, and Raphael.<\/p>\n

In the field of teaching, he has been a member of the Andalusian Corps of Music and Performing Arts Teachers, working at the “Manuel Carra” Professional Conservatory of Music in M\u00e1laga, the “Andr\u00e9s Segovia” Professional Conservatory of Music in Linares, the “Mar\u00eda de Molina” Professional Conservatory of Music in \u00dabeda, and the “Chelista Ruiz Casaux” Elementary Conservatory of Music.<\/p>\n

He has also been invited to teach as a guest professor in both Spain and Norway at institutions such as: the University of Bergen Grieg Academy, M\u00e1laga Higher Education Conservatory of Music, Royal Conservatory of Music \u201cVictoria Eugenia\u201d in Granada, Higher Education Conservatory of Music \u201cRafael Orozco\u201d in C\u00f3rdoba, University of Oslo Norwegian Academy of Music (NMH), Toneheim Folkeh\u00f8gskole in Hamar, “Ram\u00f3n Garay” Professional Conservatory of Music in Ja\u00e9n, and Marcos Redondo Professional Conservatory of Music in Ciudad Real, among others.<\/p>\n

Antonio Vera has been Principal Trumpet of the Norwegian National Opera and Ballet Orchestra (Den Norske Opera & Ballet National Orchestra) and has been a Trumpet Professor, Chamber Music Instructor, and Orchestral Repertoire Teacher at the Barratt Due Institute of Music in Oslo since September 2016.<\/strong><\/p>\n

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  Antonio Jos\u00e9 Vera Escribano Born in M\u00e1laga (1986), Antonio began his musical studies at the early age of 6 in the Municipal Band of his hometown, Antequera, under the guidance of Professor Juan Medina Maza, from whom he acquired his first knowledge of the trumpet. He later pursued his studies at the “Manuel Carra” […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":4921,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8295","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/pages\/8295"}],"collection":[{"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/comments?post=8295"}],"version-history":[{"count":27,"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/pages\/8295\/revisions"}],"predecessor-version":[{"id":11024,"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/pages\/8295\/revisions\/11024"}],"up":[{"embeddable":true,"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/pages\/4921"}],"wp:attachment":[{"href":"https:\/\/www.brassacademy.com\/en\/wp-json\/wp\/v2\/media?parent=8295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}